Boy Meets World | Adam Scott (Actor)

From Dead to Ghosted, Dead at 21 that is, we’re talking Adam Scott (actor). A comprehensive and curious retrospective through a working man’s on screen career.

With big screen hits from Step Brothers and The Overnight to surprising parts in The Aviator and Black Mass, Adam has always returned to the smaller, more comfortable screen. The actor just seems more at home as that friendly colleague you see week to week than the big Hollywood celebrity. As our opening line shows, he’s been working on shows from humble beginnings to even humbler current day, and his early work has been TV gigs so far.

He had a strange yet memorable role in the short lived MTV drama Dead At 21 and a smaller yet more prestigious part in E.R. His next stint would actually have him return to our living rooms a little more regularly, though only for a while as we find out.

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17 Songs From I Know What You Did Last Summer To Cheer You Up After Ryan Philippe Dies

If there were two things the teenagers of the 1990’s were all about, it was hip slashers and even hipper soundtracks. No stranger to mopey youths, Dawson’s Creek writer struck iconic success with Scream; hanging with the cool crowd and giving a real, “get a look at those guys” to old school horror tropes. Striking while the iron’s hot, he fired out the less-revolutionary but still memorable I Know What You Did Last Summer, an adaptation of a murder mystery novel that the studio quickly realised was not Scream, and promptly made it more like Scream.

People must’ve really wanted this on their mix-tapes while boxing at the local dockside gym.

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E.R. ‘Full Moon, Saturday Night’ | Adam Scott (Actor)

From Dead to GhostedDead at 21 that is, we’re talking Adam Scott (actor). A comprehensive and curious retrospective through a working man’s on screen career.

It’s been a solid year since our inaugural step into that pleasantly warm pool that is Adam Scott’s career. That’s certainly not from a boredom of the man himself, in that span we’ve seen both sides of the coin, one that isn’t a lottery win but still a comforting bit of good fortune. Returning to HBO to stretch his dramatic chops in Little Big Lies and continuing his witty and offbeat insights in the podcast R U Talkin’ R.E.M. RE: ME? Fun note, between these two articles eagle-eyed fans have located his presence in their music video for ‘Drive’ and appointed that his very first IMDB credit.

After a ridiculous introduction in Dead at 21, Adam gets his first foray into some more serious drama with the first season of 1995’s E.R.

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Axe Wounds and Gashes Starring Louis CK (Forever Friday Ep. 4)

The boys get particularly horny with this segment as a particularly dumb sex pun is repeated far too many times. Things get a little quiet as the cast gets cut down but we pump up the jams with some music discussion including an obligatory dancing Sam Rockwell.

Dead At 21 | Adam Scott (Actor)

From Dead to Ghosted, Dead at 21 that is, we’re talking Adam Scott (actor). A comprehensive and curious retrospective through a working man’s on screen career.

In writing this, there may need to be an actual introduction for the man himself right at the start. I have a feeling we may need an introduction to what we’re even trying to accomplish with these discussions. We know who Adam Scott is, and if the people reading this do too, then what more can this give them?

As we find out, there is a versatility to the nice looking fellow known to the mainstream as Ben Wyatt (Parks and Recreation) and comedy nerds for “That’s Not Funny” Adam (Comedy Bang Bang, U Talkin’ U2 To Me?). We’re guessing most mainstream will ask their culturally educated friends while watching Step Brothers or Big Little Lies if that nice looking fellow is, in fact, Ben Wyatt, and hoping they’ll reply his name is Adam Scott.

Is this all Adam has to offer in his profession, to fill the welcome role of that nice looking fellow, alternating between snarky douchebag and affable goofball?

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17 Times On The Fast and the Furious Soundtrack Ja Rule Encourages Murder

There are acts of vehicular manslaughter in the Fast and Furious franchise. There are certainly quite a few straight up murders throughout, with Vin Diesel and his family getting a fair share of blood on their hands and, therefore, steering wheels. Listening to the lyrics in almost all of these songs for the official album, however, you’d think this is the album to Death Race 2000.

Murder, murder, murder, murder, murder.

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15 Wild, Wild West Tracks That Ushered In The Willennium

This is a strange predicament we have here. Much like the strange and comedic contrast of fantastical steampunk technology atop a Western backdrop, never have we had such a distinct movie and soundtrack experience. Now there’s been similar ventures; Batman Forever was our first foray into a nostalgic film with eclectic song choices, American Pie was a dumb if enjoyable romp with a dumb and torturous soundtrack, and Alexander hadn’t even seen Digimon so he was stuck with just yet another ska laden session.

But what of Wild Wild West? Let’s just acknowledge this film in that we could have hour long discussions of each and every scene, it is a bizarre, troubling miracle of movie making. A miracle in the sense that it ever got made. As we vividly recall just some of the bonkers inclusions, we are alleviated by the surprisingly refreshing inclusions in the official soundtrack. I could explain more in this introduction but the usual quote I select sums up this visual and aural adventure into a very ’90’s wild West.

Big Willie gets Dru Hill dressed as the Wild Bunch and these guys are stuck with Gilderoy Lockhart and his mechanical legs.

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Woof 237: An Interstellar Game of Ball Chase

After a brief respite to recuperate from the narrowing thought trail of dog murder, our optimism was in need of refueling. Having focused too heavily on their mortality, we had began to lose focus on the spiritual gift that dogs have given us. Thinking big was the right move, real big. What is more grand and opposed to death than questioning the very life of dogs?

From the end back to the beginning, we had to discuss the origin of dogs to discover the origin of dog movies. Mount your cork boards and unravel your red string because we’re unraveling the mounting discovery of humanity’s future guided through canine past.

“There is a ferret in this movie voiced by Amy Sedaris.”

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The Political Compass of Dog Movies

After a brief respite, Alexander and I have returned to the much needed analysis of canine cinema. Accomplishing the creation of our own dog movie so soon had placed us on a narrow path and the break has shifted us away from intense dog murder.

When returning to the series, we questioned what had to be assessed and came to the obvious point. We had barely talked about existing dog movies, only in reference, and had to map out the political climate of the waters we’re braving.

“You wouldn’t get Marley biting Owen Wilson on his jeb-end.”

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Not Another Dog Movie, A Prelude

Dogs. Doggies. Doggos. Canines, mongrels, and doggy style. What are they? Where did they come from? How did they become our best friend? We may never know the answers. Even now, As I correspond with a friend, Alexander, a dog absently stares in my direction as I know another one stares at him. Like any friend, what do they want in return of their friendship?

If only they could talk. Like the titular Marley in the 2011 prequel Marley and Me: The Puppy Years. Then, in an inane venn diagram, the cultural osmosis of pets and movies comes together. Why are there so many dog movies, and could they alleviate our concerns?

So now Alexander and I are delving into the glut of canine cinema to research and develop the prefect character study. A film that strives for more than family friendly entertainment but an existential and educational expose. Against our best instincts, we must make another dog movie.

I helped make this monster, now I have to teach it how to not kill things.

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